Stories
LZ DX contest 2004


 


With receiver IP3 of +15dBm this radio is a serious instrument. It is designed for contesting, DX-ing, experimenting. Low distortion audio, very quiet receiver with huge dynamic range and silky smooth QSK.. With a half wave wire and a location at the top of the hill you may have the best receiving system at the moment.

Clean direct-conversion sound
After reading KK7B serial of articles about High-Performance Direct-Conversion receivers I was intrigued. At a time when the first receiver (later known as R-1) was published I was developing a high quality transceiver for 2 meters. Long time ago I have designed a small, qrp transceiver for 80 meters band, with direct conversion receiver. Reading KK7B's article about clean direct-conversion sound, "like a window on the band" I instantly recognised the sound of my old transceiver. I was hooked.

That feeling of "presence or transparency" was something I was looking for, for a couple of reasons. First - it is great listening experience, and after some time all other radios sounds unclean, distorted. Other reason was that I needed a low distortion receiver for a very weak signal communications, like EME QSOs - it is very important there. So I decided to build R-1 to check if it sounds clean like I remembered. And it was. Very clean, beautiful. I decided to check if it is a concept (direct-conversion) or just a good design that sounds so great.

The best receiver
I have tried high level mixers, expensive crystal filters, built a couple of strong audio amplifiers, played with low noise audio preamplifiers. As a result I have made a lot of different receivers, made a lot of measurements and spend a great amount of time listening the bands in a quest for a clean sounding receiver. Idea was to make a best receiver possible, no matter how big the cost may be, just to verify thoughts. One thing is sure - direct conversion receiver, if well made, sounds great, but there are some problems that cannot be solved in direct conversion concept. First of all there is a lot of AM detection here in Europe on 7MHz in the afternoon (I have measured 0.4 Vpp at my antenna - Radio Free Europe, (that is -4 dBm, or S9 + 69dB, that is about 8 million times stronger than S9 signal) and that goes to receiver. Imagine if you had preamplifier in your receiver front end, let's say that gain is 24 dB, at the output of the preamplifier there will be 100 mW of power (if the preamp does not saturate before, most preamps will). And that goes to first mixer. And this signal is only about 200 kHz away from amateur band. This is a real life situation, not just imaginary concept. I do not know how to make direct conversion receiver that can operate in such a conditions without AM detection. So, it looks that superhet design must be used for best results.

What's wrong with superhet?
What's wrong with superhet concept? Why receiver made using this concept does not sounds clean and nice like DC receiver? I first thought that it was a problem with crystal filter. Basically superhet receiver is nothing more than a DC receiver with receive converter and a crystal filter in front of it. If someone connect DC receiver after a high quality receive converter this system will sounds as DC receiver alone. So the problem must be in crystal filter. Delay on the edges of a passband, or whatever. This is a great example how easy is to make a mistake in a design process. The problem is not in a crystal filter. It is possible to make superhet receiver that will sounds exactly like DC receiver. With the feeling of presence, like a window on the band, like a CD reproduction from the band - all of that. The key concept here is a gain distribution. Another important factor in a listening experience is the AGC system. Also the quality of crystal filter. Building superhet is easy. Easy to make it work. But to make it work really good is another story. How to make a good superhet is well known, and it is even explained in ARRL Handbooks for years. The mystery remains why the good design principles are so often overlooked, mostly by far east designers.
Carefully designed superhet (like carefully designed Direct Conversion receiver, or carefully designed DSP receiver) will all sounds great.


QRP fewer
There is always something mysterious in a small transmitters for me. I have built many of them, but there is the same feeling of mystery whenever I connect supply voltage to my TX. I connect the dummy load, press the key and look the signal on my Tektronix oscilloscope, but I need to touch resistors in dummy load, to feel the heat, and mentally try to calculate output power. And then mentally I compare it with the power of a candle. Then I connect antenna, and make a QSO. It is always a thrill. And then I reduce power under one watt, and call some DX. It is not easy to describe the feeling after working some DX (i.e. USA on 7MHz) with less than 1 W of power. After such a QSO it is a good time to connect dummy load again, put the full power to make TX endurance test and contemplate what can be done better, simpler, what to do next, when is the next contest..


A-1 in early stages of development, with this set-up I worked CQ WPX CW contest 2004, and claimed 3rd place
world in QRP/7MHz category

Supermarket boxes
What supermarkets have in common with hi-end radio design? Well, when you see someone examining cakes, soaps and other nicely packed goods at a local store keep in mind that it could be some radio designer looking perfect proportions for a case for the new radio. After hard work in electronics, a lot of math calculations and measurements this is a kind of different experience. I decided to use "golden cut" proportions for A1. A lot of different colours has been tried (mostly in Photoshop), both for the case and for the front panel.

 

 
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